The report of the Standing Committee by Canadian Heritage - Disruption: Change and Churning in Canada’s Media Landscape has been released for the government to review on how they can help the industry deal with the digital disruptions to their business model. This comprehensive document is tackling some tough issues that face the media industry like local news, media concentration, broadband access, tax incentives, new taxes, grants and the support of community news/multicultural media.
This document is a good close look at the history and issues and supports additional government intervention to support the media industry. The expected outcome of this document is to look at ways to sustain an independent media industry as a key player in a properly functioning democratic society through a healthy journalism sector. The political goal is to find an even playing field for all stakeholders, as the highest share of the industry ad revenues are going to digital distributors like Google and Facebook and less to content creators and thus is not sustainable over the long-term.
As expected the report is reflective of liberal policies of government intervention, while the dissenting voice of the conservatives that was included in the report favour a more laissez-faire approach i.e. the survival of the fittest. The report has 20 recommendations and one was a sales tax on on the internet that was quickly shot down by Prime Minister Justin Trudeau.
Even with government support the media ecosystem is oversaturated (digital oversupply) in Canada for a market of 35 million people and future consolidation is inevitable as digital convergence of media continues in all sectors. The current digital ad market is in an oligopoly state as Google and Facebook control 65% of industry revenues accorded to this Fortune.com report and government intervention/regulation is required when the free markets are in this stage to ensure fair competition.
FACTS ABOUT THE MEDIA INDUSTRY IN A CANADA
• There are 1,162 newspapers in Canada 102 dailies and 1060 community newspapers. In 2011 there were 122 dailies and 1042 community. ( Must be all those store flyers we are getting that support the community news sector)
• The magazine sector has seen a 30% increase in the number of titles since 2000 with over 2,000 titles according to Magazine Canada. (Masthead Prediction: This sector will see consolidation and will eventually see digital convergence with the radio sector over the long-term.)
• There are 680 television services with 85 television station of which 65 are owned by 5 companies (Bell, Shaw, Rogers, Quebecor and Renstar) with 20 independent. Television is still #1 when it comes to advertisers
• There are 1,120 radio and audio services with 594 FM and 129 AM stations. Radio has been identified as the sector least affected by the digital disruption due to its emphasis on local content
BookNet Canada a non-profit organization that develops technology, standards, and education to serve the Canadian book industry just released this great Infographic of the State of Digital Publishing in the Book industry..
The State of Digital Publishing in Canada reports are now in their fourth year. Each year they look at the size, scope, and production processes of the digital publishing market in Canada. The 2016 report can be downloaded at this link
Here are some highlights of the 2016 report.
- 37% of publishers produce digital audiobooks
- 56% of publishers have more than 1/2 of their titles digitized
- 52% of publishers have over 1/2 of their juvenile titles digitized
- 67% of publishers are including accessibility features in their ebooks
- When do publishers release ebooks for new titles?
- 5% do so before the print version
- 68% do so simultaneously with the print version
- 27% do so after the print version
- What are publishers' reasons for creating ebooks?
- 80% hope to increase sales
- 73% want to meet accessibility needs
- 73% are satisfying consumer demand
Ebook sales vs. print in Canada
As true this year as it was last year, people are still talking about print book sales being up at the expense of ebooks. The stories this year have tended to focus less on the increased pricing of ebooks, as was the case last year, and more on readers rediscovering the tactile experience of print books and digital fatigue.
While it is true that the number of available ebooks with sales continues to decline — from a high of 88% in 2014 to just 54% in 2016 — some of this might be due to the growing number of digitized backlist titles. It might also be caused in part by a 2.1% decline in ebook sales from 2015 to 2016, according to consumer surveying.
However, while the number of ebooks without sales went up, so too did revenue for 61% of reporting firms: 25% of them experienced a digital revenue increase of more than 25% over the previous year.
Audiobooks in Canada
While the print versus digital debate continues, what has become clear is that audiobooks are having their moment. In 2016, 37% of the publishers we surveyed were producing digital audiobooks, which is a large jump from 16% in 2015. And those firms have anywhere from zero to 7,000 active audiobook titles.
Booknet Cannada,Research & Analysis
The use of Facebook Live is a tool that publishers are using for events as a live video broadcast. Here is a press release for this Facebook Live Event that will be held on Monday June 5 at 10am. that will broadcast an editorial brainstorming meeting.
For fashion publishers, the September issue has become a thing of legend. Traditionally one of the most anticipated issues of the year, it signals not only a change in season and trends, but serves as an essential—and inspirational —shopping guide.
For the first time ever, ELLE Canada is inviting readers to join its editorial team for their September 2017 issue editorial brainstorm meeting. ELLE Canada will take over the Facebook Canada office on Monday, June 5th at 10am ET for a Facebook Live broadcast that gives readers an inside look at how one of the most coveted issues of the year is developed.
“Our connection to our readers is so valuable to us that we wanted to invite them to share in our creative process,” says Vanessa Craft, Editor in Chief of ELLE Canada. “Opening this up to the world via Facebook Live was an easy decision, especially with the opportunity to host it directly from their Toronto HQ – it brings an added element of inspiration for the team to be working in such a creative and innovative space.”
The ELLE Canada team of experts will look at the most exciting trends and news in fashion, beauty and culture, as seen by its editors at international fashion weeks and exclusive previews. The team will be talking about the things they are most excited about for fall 2017, and readers will get a behind-the-scenes look at how ELLE determines what does (and doesn't) make it into this issue. ELLE Canada readers are invited to comment live as the brainstorm takes place. “We’re looking forward to discovering which of the topics we discuss really resonates with them – and what they want to hear more about,” adds Craft.
• We deliver a different coffee every month as a part of a curated and exploratory global journey, just as stories and photos are brought into the homes of our readers, providing them with interesting and relevant local and global news.
• We tell the story behind the coffee, investigating its source, growing and processing methods, and the people behind it all.
• Our product is ethically sourced because we not only want to ship the best product, we want it to be done fairly for the producers and safely for the environment.
• We reach our audience through both print and digital because research tells us our readers are serious coffee drinkers.
• We have a trusted relationship with readers and ready-made marketing channels to reach them.
1. Solve a problem for customers.
2. Effectively leverage our core competencies: Brand power and trust; large audience, strong media; delivery expertise; and subscription management.
3. Are not advertising or content-based revenue.
4. Represent opportunity of significant size.
5. Complement the core business, rather than disrupting or cannibalizing.
A coffee-subscription service was identified while investigating reader behaviour, habits, and trends. We were looking for activities and preferences that distinguished our readers from the general population. At the highest level, we found 70% of 7. Toronto Star readers consumed coffee in the morning while they read their newspaper.
We then used our reader panels and subscriber surveys to determine more specific coffee-consuming preferences and habits: consumption volume; whole bean vs. ground; roasting preferences, price tolerance, etc. This research led to the conclusion that a significant business opportunity existed.
Alternative business models for the creation of the subscription service were then evaluated:
1. Third-party partnership: revenue share as a media partner promoting and endorsing another service.
2. White label: present the offering as one from the Toronto Star, but have it managed by a vendor.
3. Build and manage internally: select vendors to provide products and service, but manage the execution to maintain control.
Ultimately we decided to build and manage internally, creating a brand that would resonate with readers and to achieve target profit margins.
Implementation was a matter of vendor searching, vetting, negotiating, and selecting. Our volume projections from earlier in the process assisted in bringing initial quotes down to target cost levels.
Once the operational requirements were established, we focused on creating an impactful launch plan and engaged an external marketing agency to help spearhead the effort. We leveraged our full range of media properties to maximize message dissemination. We relied heavily on print promotion, knowing these readers had the strongest connection to the Toronto Star brand.
During the first few months, messaging focused on: introducing the brand, explaining the benefits and features, exploring the lifestyle of Headline Coffee, and holiday gift giving.
One month after its launch, Headline Coffee attained reader awareness of 20%, and during the first three months, an average growth rate of 32%.
Moving forward, Headline Coffee is experimenting with new print ad campaigns, creative, and social messaging that will propel it to the next level of growth.
Eric Fleming is senior innovation strategist for the Toronto Star, based in Toronto, Ontario. He can be reached at firstname.lastname@example.org.
The New York Times said AT&T and Johnson & Johnson were pulling their ads from YouTube, concerned that “Google is not doing enough to prevent brands from appearing next to offensive material, like hate speech.” Business Insider said “more than 250” advertisers were bailing as well. Both reports came on the heels of one Guardian story that said Audi, HSBC, Lloyds, McDonald’s, L’Oréal, Sainsbury’s, Argos, the BBC and Sky were doing the same in the UK. AnotherGuardian story that said O2, Royal Mail and Vodaphone were joining the boycott as well. Wired and AdAge have weighed in too.
Agencies placing those ads on YouTube were shocked, shocked! that ads for these fine brands were showing up next to “extremist material,” and therefore sponsoring it. They blame Google, and so does most of the press coverage as well. And Google admits guilt. Google’s executives were summoned to appear in front of the UK government last week after ads for taxpayer-funded services were found next to extremist videos, following an investigation by The Times newspaper. Google must return later this week with a timetable for the work it is doing to prevent the issue from occurring again.
On Monday, at a breakfast briefing with journalists before he took to the stage at Advertising Week Europe — Brittin said the annual ad industry event gave Google a “good opportunity to say first and foremost, sorry, this should not happen, and we need to do better.”
Brittin added: “There are brands who have reached out to us and are talking to our teams about whether they are affected or concerned by this. I have spoken personally to a number of advertisers over the last few days as well. Those that I have spoken to, by the way, we have been talking about a handful of impressions and pennies not pounds of spend — that’s in the case of the ones I’ve spoken to at least. However small or big the issue, it’s an important issue that we address.” Google also isn’t alone at this. They’re just the biggest player in an icky business. That business is adtech: tracking-based advertising.
Let’s be clear about all the differences between adtech and real advertising. It’s adtech that spies on people and violates their privacy. It’s adtech that’s full of fraud and a vector for malware. It’s adtech that incentivizes publications to prioritize “content generation” over journalism. It’s adtech that gives fake news a business model, because fake news is easier to produce than the real kind, and adtech will pay anybody a bounty for hauling in eyeballs.
Real advertising doesn’t do any of those things, because it’s not personal. It is aimed at populations selected by the media they choose to watch, listen to or read. To reach those people with real ads, you buy space or time on those media. You sponsor those media because those media also have brand value. With real advertising, you have brands supporting brands. Brands can’t sponsor media through adtech because adtech isn’t built for that. On the contrary, adtech is built to undermine the brand value of all the media it uses, because it cares about eyeballs more than media.
Adtech is magic in this literal sense: it’s all about misdirection. You think you’re getting one thing while you’re really getting another. It’s why brands think they’re placing ads in media, while the systems they hire chase eyeballs. Since adtech systems are automated and biased toward finding the cheapest ways to hit sought-after eyeballs with ads, some ads show up on unsavory sites. And, let’s face it, even good eyeballs go to bad places.
This is why the media, the UK government, the brands, and even Google are all shocked. They all think adtech is advertising. Which makes sense: it lookslike advertising and gets called advertising. But it is profoundly different in almost every other respect. I explain those differences in Separating Advertising’s Wheat and Chaff:
…advertising today is also digital. That fact makes advertising much more data-driven, tracking-based and personal. Nearly all the buzz and science in advertising today flies around the data-driven, tracking-based stuff generally called adtech. This form of digital advertising has turned into a massive industry, driven by an assumption that the best advertising is also the most targeted, the most real-time, the most data-driven, the most personal — and that old-fashioned brand advertising is hopelessly retro.
In terms of actual value to the marketplace, however, the old-fashioned stuff is wheat and the new-fashioned stuff is chaff. In fact, the chaff was only grafted on recently.
See, adtech did not spring from the loins of Madison Avenue. Instead its direct ancestor is what’s called direct response marketing. Before that, it was called direct mail, or junk mail. In metrics, methods and manners, it is little different from its closest relative, spam.
Direct response marketing has always wanted to get personal, has always been data-driven, has never attracted the creative talent for which Madison Avenue has been rightly famous. Look up best ads of all time and you’ll find nothing but wheat. No direct response or adtech postings, mailings or ad placements on phones or websites.
Yes, brand advertising has always been data-driven too, but the data that mattered was how many people were exposed to an ad, not how many clicked on one — or whether you, personally, did anything.
And yes, a lot of brand advertising is annoying. But at least we know it pays for the TV programs we watch and the publications we read. Wheat-producing advertisers are called “sponsors” for a reason.
So how did direct response marketing get to be called advertising ? By looking the same. Online it’s hard to tell the difference between a wheat ad and a chaff one.
Remember the movie “Invasion of the Body Snatchers?” (Or the remake by the same name?) Same thing here. Madison Avenue fell asleep, direct response marketing ate its brain, and it woke up as an alien replica of itself.
This whole problem wouldn’t exist if the alien replica wasn’t chasing spied-on eyeballs, and if advertisers still sponsored desirable media the old-fashioned way.
Fixing it won’t be easy, because the alien replica has been drunk on digital for so long that very little humanity remains. This is true not just for Madison Avenue, but for both the client and the media stages of the advertising supply chain. On the client side, old-school sales & marketing VPs have been replaced by data-obsessed CMOs who would rather hire an IBM to paint a portrait of a fiction called “the chief executive customer” than actually talk to a real one. On the media side, publishers and broadcasters have long since fired their human sales people and outsourced income production to dozens of third party adtech systems.
But at least we’re seeing brands start to wake up, even if they’re still fooled by adtech’s magic tricks. And consciousness is surely happening a level or two above the CMO. Those senior executives, whose brains have not been snatched by adtech, will still recognize the obvious: that brands are best made and served by sponsoring media they know, like and trust.
After all, sponsoring trusted media is what produced brands in the first place. It’s also what still what makes brands familiar to whole populations, and what still sponsors worthy publications and the journalism they contain. If brands still want to do “interest-based” or “interactive” advertising (adtech’s euphemisms for what it actually does) they should realize seven things:
- Adtech sucks at branding. Hundreds of $billions have been spent on adtech so far, and not one brand known to the world has come out of it.
- Yes, it works, about .0x% of the time, on average. The other 99.9x% of the time it produces nothing but negative externalities, including lots of tendentious math by agencies and platforms to justify the expense. Among those externalities are subtracted value from brands themselves.
- Yes, direct response marketing does work, and it works best when target customers have already opted in, consciously and deliberately. (Note that there is a great deal of ambiguity about how much being a Google or Facebook member amounts to deliberate and conscious agreement to being followed and targeted, privacy controls withstanding. The choices in those controls should be much more binary and clear than they are.) So if L’Oreal wants to get a conversation going with customers of Lancôme, Giorgio Armani or The Body Shop, they should do it by those customers’ grace, not because the robots they’ve hired guess those customers might be interested, based on surveillance-gathered personal data.
- Adtech starts with spying on people. This isn’t the elephant in the middle of adtech’s room. It’s the volcano about to erupt from under adtech’s floor. In that volcano are pissed off people who will soon get their own ways to kill off adtech. The rumbling under the floor right now is ad blocking. The lava that will pave over adtech is full tracking protection.
- Adtech’s rationalizations are all around putting the “right message in front of the right people at the right time,” and aiming those messages with spyware-harvested Big Data. Both of those are direct marketing purposes, not those of brand advertising. The difference is stark, absolute, and essential for everyone to understand.
- The only reason publishers go along with adtech is that they don’t know any other way to make money from advertising online — and no developers have provided them one. (But that will happen soon. Trust me on this. I know things I can’t yet talk about.)
- What Shoshana Zuboff calls “surveillance capitalism” is going to be illegal a year from now in the EU anyway, thanks to the General Data Protection Regulation, aka GDPR. Mark your calendars: on 25 May 2018 will come an extinction event for adtech, because here are the fines the GDPR will impose for unpermitted harvesting of personal data: 1) “a fine up to 10,000,000 EUR or up to 2% of the annual worldwide turnover of the preceding financial year in case of an enterprise, whichever is greater (Article 83, Paragraph 4)”‘; and 2) “a fine up to 20,000,000 EUR or up to 4% of the annual worldwide turnover of the preceding financial year in case of an enterprise, whichever is greater (Article 83, Paragraph 5 & 6).”
Ad choices won’t do the job. That’s adtech’s way to “give you control” over “how information about your interests is used for relevant advertising.” The link into that system is this little symbol you see in the corner of many ads. While clicking on it does provide a way for you to opt out of surveillance, you have to do it over and over again for every ad you see with the damn thing, like playing a slo-mo game of whack-a-mole, and it still relies on the adtech industry keeping cookies in your browsers.
If there is a market on the receiving end for “interest based advertising,” let’s have a standard system that puts full control in the hands of individuals, and speaks through open code and protocols to any and all publishers and broadcasters. Anything less will just be another top-down adtech industry paint-job on the same old shit.
An open question is if agencies can be programmatic online without spying on people. I think they can, if they start by admitting that spying is where the problem lies.
It should be clear that spying is why Do Not Track became a thing, and why ad blocking hockey-sticked when the adtech industry and publishers together gave the middle finger to people’s polite request not to be tracked. (Which is all Do Not Track provides.) It should also be clear that ad blocking and tracking protection are not “threats” and “costs” to publishers and agencies. They are clear and legitimate market responses by human beings to having adtech’s digital hands up their skirts.
It also won’t be easy for the big platforms to fix their adtech systems. Consider, for example, the egg that was splattered on Mark Zuckerberg’s face by Facebook’s own adtech when he posted his insistence that “99% of what people see is authentic” and “only a very small amount is fake news and hoaxes,” and fraudulent ads ran right next to his post:
These ads are fraudulent in at least three ways: 1) the headlines are lies; 2) espn.com is not the advertiser; 3) if you click on them, you find they’re bait for switches to something else. (One I clicked on was for a diet supplement.) And this is no isolated case. Medium’s Ev Williams also reported the same kind of adtech-aimed fakery.
Facebook is going to have a hard time fixing this, because it is entirely in the chaff business. With Google, even though it’s hard to tell whether any given ad placed in a Google property is wheat or chaff, at least some of it really is wheat. (I would guess most search ads are, for example.) It should be just as easy for Google to disclose those ads’ nature as wheat as it is for the company to use Ad Choices to disclose an ad’s nature as chaff. (I suggest one possible approach to this in A way to peace in the adblock war.)
But fixing the mess needs to start with advertisers. They can do it by firing adtech and its agents and going back to sponsoring reputable broadcasters and publishers. Simple as that.
Doc Searls is the Director of ProjectVRM at the Berkman Klein Center for Internet & Society, Harvard University. VRM stands for Vendor Relationship Management, the customer-side counterpart of Customer Relationship Management. Doc will be writing a new book titled” The Intention Economy “on the results of Project VRM published by Harvard Business Review Press. http://blogs.harvard.edu/vrm/about/
The Call for Entries for the 2017 Canadian Online Publishing Awards (COPAs) is open and the Early bird deadline is June 9. Visit www.CanadianOnlinePublishingAwards.com.